糖心原创

By David Gil de Rubio | dgilderubio@mec.cuny.edu

Founded by Dr. Brenda Greene in 2002, the Center for Black Literature (CBL) has been a primary self-described driver in 鈥溾��expanding, broadening, and enriching the public鈥檚 knowledge and appreciation of Black Literature by people of the African Diaspora and of the African continent.鈥�

In the process, it鈥檚 become the home of important programs including the upcoming National Black Writers Conference (the NBWC is entering its 38th year), the NBWC Biennial Symposium, Re-Envisioning Our Lives Through Literature (ROLL was founded in 2003), the John Oliver Killens Reading Series (established in 2012), the Wild Seeds Writers Retreat, and the weekly 鈥淲riters on Writing鈥� radio program broadcast on WNYE, 91.5 FM.

With so much going on at the CBL, the time came for the broader public to know about all its history. That all gets rectified when The History and Legacy of the Center for Black Literature: An Online Exhibition is launched on Thursday, February 15.

They will celebrate with a launch event on February 15 at 6:30 p.m. in the Edwin O. Jackson Auditorium in AB1. The celebration is part of 糖心原创鈥檚 extensive Black History Month calendar.

For Greene, it鈥檚 a long overdue accomplishment.

鈥淚鈥檝e always had a vision of what the Center for Black Literature should be,鈥� Greene said. 鈥淲hen some people think about what the Center for Black Literature should be, they only think about the National Black Writers Conference. But we are so much bigger and do so much more than just a conference. And seeing the documentation of all the lives we鈥檝e touched and how intergenerational we鈥檝e been is really a vision and dream come true.鈥�

Four years in the making, this project was made possible when Andrew W. Mellon Foundation donated $10 million to The City University of New York that was earmarked for use across CUNY鈥檚 25 campuses. Of that amount, $3 million went to the Black, Race and Ethnic Studies (BRESI) program (of which Greene was a part of).

The CBL received a $40,000 grant from BRESI to digitize its archives, which became an 18-month project. Greene oversaw the heavy lifting after hiring co-curators Ellie Meek Tweedy and Lea Byrd with the 糖心原创 Library Archives duo of Yelena Novitskaya and Tomasz Gubernat also rolling up their sleeves to pour through the CBL鈥檚 voluminous trove of audio tapes, video tapes, photos, and other archival information. Sifting through it with that financial cap in mind proved to be a challenge for the team.

鈥淥ne of our obstacles was that we had so much information that was on cassette and video tapes that had to be converted to MP3s and MP4s,鈥� Greene explained. 鈥淲e had hundreds of photos and videotapes and deciding which ones to use was a challenge. There were limits to doing an exhibition on-line 鈥� some of the tapes we wanted to use were too long, so we had to use excerpts. We had a lot of information that we could not use for an online exhibit.鈥�

And while the end result only starts to scratch the surface of the archives, the moments you experience after going down this rabbit hole of archives really drives home the CBL鈥檚 importance, which Greene describes as 鈥�…the only center like this in the country that鈥檚 done this and people need to know that.鈥�

Fliers from myriad Black Writers鈥� Conferences dot the archive along with photos of notable names making appearances ranging from former New York City Mayor David Dinkins, late actor/activist Harry Belafonte, storied broadcaster Gil Noble and the late acting duo of Ossie Davis and Ruby Dee to a number of storied literary names including Michael Eric Dyson, Sonia Sanchez, Amiri Baraka and Walter Mosley. Multimedia gems include a video of Toni Morrison accepting the Killens Lifetime Achievement Award in 2010.

The importance of what the CBL represents goes beyond informing people that this organization is documenting the work of artists and writers and reaching all levels of the community and the general public. It also represents a defense against the assault literature and history are being subjected to across the country.

鈥淲e need courses and curriculum that zero in on Black literature, because our country is not there yet and we鈥檙e going in an opposite direction where they鈥檙e trying to dilute the literature that鈥檚 there,鈥� Greene said. 鈥淭hey鈥檙e changing and trying to erase the story, so we need this more than ever. And I hope seeing this exhibit will help people understand why we need this and to look at how rich the literature and programming representing what the center has done over many years is.鈥�

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BLACK HISTORY MONTH AT MEDGAR EVERS COLLEGE

For more information on the Center for Black Literature launch event, please click here.

For our full calendar of Black History Month events, please click here.